New Release: “Not Drowning, But Second Waving”

image

CD: £12 UK, £16 elsewhere.

Lyrics and chords are downloadable as a pdf and will shortly be available as a book.

Downloadable lyric and chord book £3.

Digital album £7

All the songs can be heard and purchased as separate tracks or as the whole album on the album download link page.

Available at Ali Bee Music.

Advertisements

Black Magic Woman

How Ghanaian Artist Azizaa Is Challenging Christianity’s Grip On Ghana

from thefader.com

“According to a 2012 Gallup International survey about religiosity and atheism, Ghana is one of the most religious countries in the world. At first glance, there is some evidence for this: when you land in Accra, you’ll notice churches everywhere you go. If you look even closer, you’ll see Mormon missionaries on their bikes throughout the country.

But are Ghanaians very religious or are they a very spiritual people invaded by highly organized, predatory religious structures?”

“They took away our spirituality and gave us religion; they banned us from gathering under a tree by the fireside and herded us into churches.”—Wanlov

“Music artist Azizaa and rapper/video director Wanlov the Kubolor recently tackled this issue head-on with the video for Azizaa’s “Black Magic Woman” (watch it above). Growing up between Accra and New York, Azizaa is a rising voice in Ghana. She speaks and occasionally sings in her native Ewe tongue, and has managed to always stay in touch with her Ghanaian roots. Wanlov—who featured in the very first Lungu Lungu column—is one of the most vocal rappers on the continent, using humor and parody to bring up difficult issues, both in his solo work and as one half of Ghanaian rap duo FOKN Bois. In 2014, he co-directed the pidgin musical Coz ov Moni 2 and has continued to play a role behind the camera ever since, as he did for Azizaa’s video. The FADER caught up with the pair to ask them about “Black Magic Woman” and their take on religion in Ghana.”

You can read the rest of this article, and the interview, and watch the music video at the link.

H/t to Max Dashu

Gender Queer

By the inimitable Ali Buttkicker Bee!

Listen Here

image

Well I can look like a man, behave just like a man
But claim I have no privilege, just because I can
So open up your space for us and don’t be making any fuss
Cos we all should be welcome here,
Can’t you see I’m gender queer?

CH. I’m gender queer dear, I’m gender queer
Though I’ve got a hard on You should have no fear
I’m gender queer dear, I’m gender queer
Look at me cry a little gender queer tear

I might wear a shirt and tie and have a neck beard and a penis
But I’m not a man you bigot, I have no feels of he-ness
Put your trust in gender, gender means no harm
So let us in, there is no spin
And remember to keep calm

CH. I’m gender queer dear, I’m gender queer
Though I’ve got a hard on You should have no fear
I’m gender queer dear, I’m gender queer
Look at me cry a little gender queer tear

All of us know we’re men dear, though some of us say we’re aren’t
We can be whatever we want now, don’t you say that we can’t
Some days I will be a lady, some days I will be a man
If I want I will be a unicorn
Just because I can

CH. I’m gender queer dear, I’m gender queer
Though I’ve got a hard on You should have no fear
I’m gender queer dear, I’m gender queer
Look at me cry a little gender queer tear

We’ll let a few women in and they can be genderqueer too
But not too many cos we want control, of the crazy genderqueer crew
But they’ll buy the madness we sell, and hook line and sinker they’ll fall
They’ll lap it all up like a cat with the cream
And come whenever we call

CH. I’m gender queer dear, I’m gender queer
Though I’ve got a hard on You should have no fear
I’m gender queer dear, I’m gender queer
Look at me cry a little gender queer tear

If this sounds like the same old story, It may be that that’s what it is
But we don’t much care what you think now and who this crap damages
As long as we get our fun dear and things carry on much the same
We keep our privilege, wouldn’t want to change that
So we’ll keep making the rules of the game

CH. I’m gender queer dear, I’m gender queer
Though I’ve got a hard on You should have no fear
I’m gender queer dear, I’m gender queer
Look at me cry a little gender queer tear

If it walks like a duck and quacks like a duck
Don’t be surprised if it acts like a duck.

Love From the Land

From an earlier MichFest.

 

Melissa Ferrick, “I Don’t Want You To Change.”

 

Michfest – going home, leaving home

Listening to Lesbians

I close my eyes and I am back in the Michigan woods, lying in fern and leaf litter, listening to the woods and the voices of women. I open my eyes and the shadow of leaves and voices remain while the sounds of Australian birds and the smell of Australian plants intrude. They’re not ferns, but they’re what I have and they are glorious.

Banksia Not remotely fernlike…

This year, for my first and only time, I went to Michigan Womyn’s Music Festival, started by Lisa Vogel 40 years ago. I had gone with as few expectations as possible, helped by the flurry of activity in the weeks before I left and the daze I walked through the gate in.

The experience was a revelation, in expected and unexpected ways.

While listening to CC Carter sing about her hips, I realised with a rush that this is what representation might feel…

View original post 967 more words